narrative

SPELLBOUND s.2 // Robert & Ronan Burke

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  • Production: Cottonwood Media & BE Films

  • Second Unit Direct of Photography: Axel Youri Meernout

  • 1st Assistant Camera A: Fabien Ruyssen

  • Gaffer: Louis Zébo

  • Key Grip: Dominique Degand

  • Production Designer: Catherine Cosme

  • Props Master: Fabien Verdeur

  • Make Up Artists: Florence Arira, Annelise Bayard, Clara Torregrossa

  • Color Grading: Blaise Jadoul

  • Duration: 10x 26min

  • Camera & Lenses : Red Gemini & Sigma Primes (some shots wityh

  • Aspect Ratio: 2:1

TEAM & TECHNICAL SPECIFICATIONS

NOSTALGIA y REVOLUZIONE // Jérémy Adonis

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  • Production: Octopods Films

  • 2nd Camera Operators: Axel Youri Meernout & Olivier Craeymeersch

  • 1st Assistant Camera: Romain Roobaert & Robin Niedergang

  • Gaffer: Louis Zébo

  • Key Grip: Martial Viel

  • Set Designer: Lukasz Misztal

  • Props Master: Lisa Van de Verken & Pia Burin des Rosiers

  • Costume Designer: Adrian Stapf

  • Make Up Designer: Katrien Poels

  • Color Grading: Félix Lepinne

  • Duration: Depend of the part of the Opera

  • Camera & Lenses : Red Komodo, Zeiss Standard & Angénieux 25-250 HR

  • Aspect Ratio: 2:1 & 1:66

TEAM & TECHNICAL SPECIFICATIONS

MONSTRES // Vincent Overath

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  • Production: Vincent Overath

  • 1st Assistant Camera: Amaury Sabourin

  • Editing: Maxime Saint-Jean & Vincent Overath

  • Color Grading: Félix Lepinne

  • Duration: 2’20min

  • Camera & Lenses : Arri Alexa Plus 16:9 & Leica-r

  • Aspect Ratio: 1:44

TEAM & TECHNICAL SPECIFICATIONS

TÊTE DE CHEVRE // Lara Ceulemans & Louis Marbaix

 
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  • Production: Hum Hum productions & Les Meutes ASBL

  • 1st Assistant Camera: Camilla De Souza Bispo & Camille Filleux

  • 2nd Assistant Camera: Louis Peroni

  • Gaffer: Cyril Marbaix

  • Key Grip: Romain Tardy

  • Set Designer: Zoe Ceulemans

  • Editing: Romain Waterlot

  • Color Grading: Benjamin Grinand

  • Duration: 25 min

  • Camera & Lenses : Arri Alexa Plus 16:9 & Zeiss Standard T2.1

  • Aspect Ratio: 2:35

TEAM & TECHNICAL SPECIFICATIONS

UNE VOIE LACTEE // Quentin Moll-Van Roye

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  • Production: Daylight Films & Malice Films

  • 1st Assistant Camera: Camilla de Souza Bispo

  • Gaffer: Axel Youri Meernout

  • Key Grip: Romain Tardy

  • Decorators: Tanguy Thirion, Eric Segers

  • Prop Master: Mohamed Chaara

  • Make Up: Camille de Buyst

  • Costume: Valériane Tramasure

  • Editing: Louis Zabu

  • Color Grading: Lucien Keller at Cobalt Films

  • Duration: 22min

  • Camera & Lenses : Arri Alexa Plus 16:9 & Cooke S2/S3

  • Aspect Ratio: 2:1

TEAM & TECHNICAL SPECIFICATIONS

AZUKI // Louis Marbaix

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  • Co-DOP: Cyril Marbaix

  • Editing: Louis Marbaix

  • Color Grading: Félix Lepinne

  • Duration: 2min20

  • Camera & Lenses : Arri Alexa Plus 16:9 & Nikkor AIS Lenses

  • Aspect Ratio: 1:33

TEAM & TECHNICAL SPECIFICATIONS

MON CRS // Marc Martin

 
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  • Production: Marc Martin & La regie TV

  • 1st Assistant Camera: Romain Roobaert

  • Gaffer: Axel Youri Meernout

  • Key Grip: Romain Tardy

  • Set Designer: Zoe Ceulemans

  • Editing: Louis Zabu

  • Color Grading: Baptiste Najean

  • Duration: 22 min

  • Camera & Lenses : Arri Alexa Plus 16:9 & Nikkor AIS Cine Mode

  • Aspect Ratio: 2:1

TEAM & TECHNICAL SPECIFICATIONS

COMMENT TU VEUX RIVALISER // Arthur Marbaix

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  • 1st Assistant Camera: Camille Filleux

  • Gaffer: Cyril Marbaix

  • Editing: Romain Waterlot

  • Color Grading: Félix Lepinne

  • Duration: 20 min

  • Camera & Lenses : Arri Alexa Plus 16:9 & Leica-R

  • Aspect Ratio: 1:33

TEAM & TECHNICAL SPECIFICATIONS

DIMANCHE // Guillaume Imbert

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  • 1st Assistant Camera: Camille Filleux

  • Gaffer: Axel Youri Meernout

  • Set Designer: Ladys Oliveira Silva

  • Make Up Artist: Saori Matsui

  • Editing: Julien Dewarichet

  • Color Grading: Félix Lepinne

  • Duration: 17 min

  • Camera & Lenses : Sony PMW-F3 & Leica-R

  • Aspect Ratio: 2:35

TEAM & TECHNICAL SPECIFICATIONS

Suivant

documentary